I have a confession. I’ve never read any Daphne du Maurier. I plan to remedy this soon. She concocts impressive plots and they’ve been made into legendary films.
Saw Alfred Hitchcock’s The Birds (1963) as a kid of course; fabulous.
Don’t Look Now (1974) with Donald Sutherland and Julie Christie, well, wow. A fine example of how parents had no idea what we kids were watching. I saw it as a young teen and it scared me silly. It remains one of the weirdest movies that I like. Haunting. Dreamlike. Creepy. I recently got the book, but haven’t gotten to it yet. Eager to know how true to the book the film was. It’s high on the to-read-next-pile.
Rebecca (1940) with Laurence Olivier and Joan Fontaine, and a small part by George Sanders who is so much fun to dislike. Also a Hitchcock classic. Perfection.
But last night, watched My Cousin Rachel for the first time. Had never heard of it! How is that possible? Wowee. In the gothic tradition of Rebecca, but directed by David O. Selznick, it should stand firmly with the greats, Rebecca (1940; Wuthering Heights (1939); Laura (1944) Clifton Webb, Dana Andrews, Gene Tierney; and Gaslight (1944) Ingrid Bergman, Joseph Cotton, Charles Boyer.
The plot is simple enough: a young man (Richard Burton) is raised by his devoted uncle, Ambrose Ashley. His uncle leaves for Italy, but does not return as planned, instead, he marries a distant cousin and remains in Italy. Not long after, the nephew receives two letters indicating that the uncle is unwell and suggests that his wife is killing him. The nephew packs off to Italy only to arrive too late, the uncle has just died and his wife has vacated their home.
It’s all very suspicious. The nephew vows to get revenge. All seems straightforward until he meets his cousin Rachel; she is not at all the gold-digging viper he imagined.
Or is she?
Don’t want to give too much away. This film grabbed me and kept me guessing. Just love it!
And check out how young Richard Burton was! “Introducing Richard Burton!”
The stunning film is in black and white. The cinematography is gorgeous. The acting is superb–and it really was acting, as they seem to have convincing chemistry when in real life Burton had issues with his prima donna leading lady.
Check out the trailer!
https://www.imdb.com/video/vi2525217561/?ref_=nv_sr_srsg_4
As with all films it seems, there has been a remake and even a TV mini series. Can’t speak to them; haven’t seen them. Well worth a gander at this original. Atmospheric, and I’ve heard, Burton portrayed a more refined Philip than Daphne du Maurier created. Not surprising.
A reporter turned author is having trouble finishing his book. Discussing the ills of capital punishment with his future father-in-law, they concoct a scheme to frame him for an unsolved murder. Once he is convicted, they will prove his innocence and reveal the flaws in the system. The father-in-law carefully documents all their activities as they plant evidence.
I first saw Alain Delon in Zorro when I was around 11 and was swept away. Recently perusing a list of Top 100 best foreign films, Le Samourai popped up. Great!
Still reading? Here’s the tricky part– the movie won’t really much sense until the end. You have to keep watching.
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You might have missed it… it didn’t get as much notoriety as Philadelphia Story or Bringing Up Baby and that’s a shame. Hard to imagine now, but Katherine Hepburn had built herself a bad reputation earlier in the 30s and was not a box office draw. This is the perfect vehicle for her– a strong, quirky, well-to-do Main Line woman who doesn’t want to bend to societal demands. 
and Jean Dixon who play a sweet couple who are like surrogate parents to Grant. Scenes where they all escape the formal socialite scene to be themselves in the playroom are delightful.
Haint's Retreat 