Zen Noir (2004)

“Are you going to eat orange or freak out?” 

I love this movie, but it isn’t for everyone. This is not a movie you watch for plot–the plot is illusive. It got fairly awful reviews, despite winning several indie movie awards. It has jarring music and it seems to be longer than necessary.

The premise: a detective is investigating a death at a temple…but really, it is Everyman investigating the meaning of life. He tries to analyze it but gets confused. Message: left brain vs. right brain, logic vs. instinct… you can’t understand the essence of life by studying it like a math problem. You have to experience it.  I love this movie even though I hate the music. Why? IF you have a basic understanding of Zen Buddhism, this movie is funny and explains the essence of Zen well. 

Actor Kim Chan who plays the wise old monk had me convinced the studio had hired a real monk. He’s hilarious and delightful. This movie is rich and funny, sad, weird and wonderful–about life and death and being in the moment… it is one that I need to watch again every once in a while.

The film is available on YouTube: https://www.youtube.com/watch?v=ckL4gJi9T1I


Zen Noir gets FIVE MONKEYS from me for its ambitious and daring approach to explaining zen. Is it the best movie I’ve ever seen? No, but it sure lingers and you can’t say, “Oh yeah, it’s like… I don’t think there’s anything quite like it.

Goodbye Dragon Inn (2003)

The man: Do you know this theater is haunted?

[pause]

The man: This theater is haunted.

[pause]

The man: Ghosts.

[walks away]

Japanese tourist: [calling out to departing man] I’m Japanese.

The man: Good bye.

Japanese tourist: Good bye. —quotes from IMDB

I have to mention this movie because it is, hands down, the simplest and yet oddest movie I’ve ever seen. This Taiwanese film is listed as a comedy and a drama. I rented it back when we had movie rental places; I had selected it because it was described as a “valentine for movie lovers”.

It also won a bunch of awards and got a great review in the New Yorker:

https://www.newyorker.com/goings-on-about-town/movies/goodbye-dragon-inn-2

The plot, if you can call it that, is that it is the last night before a Chinese movie theatre closes down. It is showing an old kung fun movie. There are a handful of patrons in the seats. Some may be ghosts.

That’s it!

There is more action on the screen than in the theatre. There are exactly 14 words spoken in the entire film. The biggest action sequence is watching the ticket taker with a bad limp, walk up the stairs to give a sticky bun to the projectionist. It is obvious that she does this with great care and love and significant effort–all lost on the projectionist who barely notices her. She then walks back the way she came.

90 some odd minutes of film, folks, and I’ve just told you all you need to know.

And yet, this movie won awards… so I must not have received the valentine…  For me, this movie is like watching paint dry…and perhaps that is its essence… the final moments of a theatre in its death throws…

If you have time to kill and are curious, this movie is oddly memorable for being so very slow and uneventful… perhaps you’ll love it. If you do get it, and do enjoy it, please let me know why!!

Link to YouTube trailer: https://www.youtube.com/watch?v=JiDI-F0jvAo

What the heck did I just watch?

I really have no idea how to rate this film. I am quite sure that I just don’t get it as others obviously rave about it. Perhaps I’ll watch it again in ten years and see how it goes. I may rave then, too. I’ll give it three for totally bucking the norm, having virtually no dialog or plot, it is all symbolic and whatever you bring to it. I’m going to call this a Buddhist as we are ever present in the moment, with NOWHERE to go, it’s just the experience.

King of Masks (1996) Chinese

I’ve seen this movie twice, and, both times got so sucked into the story that I forgot it was a movie and felt like I was eavesdropping on someone’s life.  The acting is so heartfelt you are unaware of acting.
The premise is simple… a lonely, elderly master of the Chinese art of face-changing  (which alone is worth watching the movie for) — feeling his mortality, wants to pass on his craft. His own son died twenty years prior; he has no family.  He adopts a child he calls “Doggie”. Doggie is grateful and devoted…
Here’s the description off the back of the DVD:

This scores high with me on many points:  acting, story, scenery, and the sweet bonding between a grandparent and grandchild.

{Reminiscent of another favorite, a lighter film, the charming 2002 French offering,  The Butterfly about a grandfather and granddaughter on a hunt to find an extremely rare butterfly that only mates at night. }

I’ve attached a link to a super-quick demonstration of face-changing as presented by magicians, Penn and Teller: 

https://www.youtube.com/watch?v=DbVxyurHFhI

The Big Animal (2004) (Polish)

This is a  bittersweet fable about a simple Polish couple who take in a lost camel. They are enchanted by it. They feed it and care for it even though they can’t really afford it and don’t have a proper barn to keep it in. As word gets out in the town, first the couple is teased, then when it becomes clear they intend to keep the camel, the town gets bent out of shape– the camel should be exploited somehow– be put to work, be taxed. Why should the couple be allowed to have a camel when others don’t? 
Okay, I’ll be honest… if someone tells me that I have to see a sad movie, I’m not likely to do it. So why would I suggest this? 1) It’s got a wistful ending, but not a super sad ending. {Spoiler alert: the camel does not die at the end.}  2) It’s got a beautiful moodiness to it…as when the husband takes the animal for a walk and talks to it 3) It has a message about life, gifts, how one handles the unexpected. The humanity of the couple taking in the camel when they can’t really afford it but can’t let it go hungry  vs.  the disgruntled town people who just can’t stand that they have something different.
It may make you do a little soul searching… 
My favorite scene is so simple… the camel has its head stuck in the window and the wife is brushing it… the hair on the camel just fluffs with the brush… its a beautiful moment of serenity where doing something rather ordinary (assuming that one has a pet camel) is extraordinary. 
There is a soft-focus feel to this film, reminiscent of Jean Cocteau’s La Belle et La Bete… dreamy…gentle… pastoral and beautiful. 
You may find yourself wanting to go visit a camel… 

Polish Easter Borscht aka White Borscht (Bialy Barszcz)

(Note: this is not a vegetarian dish. If you know a workaround, then read on, but to me, I associate this recipe strongly with the kielbasa flavor.) 

When I was a very small, I hated horseradish, so Easter would find me in a dress, tights, hard dress shoes picking at my bowl to find the pieces of cheese, hard-boiled egg and kielbasa, pretending that they weren’t contaminated with horseradish. Then we were stationed in Japan and wasabi found its way into our diet.
Now, I’ll also confess, that while I’ll eat just about anything, the last battlegrounds for my taste buds remain 1) mustard and 2) parsley. I’ve been coming around about mustard, as you’ll see with this recipe, but parsley– okay in spaghetti, but otherwise, why bother. Oddly I love cilantro… but that’s a taco story and we’re on borscht.

SERVES 4 Double if you have more folks or want leftovers

This will assume that you’ve already been doing Easter eggs and have hard-boiled eggs at hand. If not, start with that, cool and peel them. 
Also– you may or may not opt for lamb. If you do, no need to spend a fortune or get a big hunk. I found a small shoulder for around $5. 30. I cut the meat off the bones and it was plenty for this. You could also use beef or just ham.
From that point, all in all this recipe will take about 40 minutes to an hour to prep and have on the table. 
Step 1: If you are using the lamb shoulder, go ahead and trim it from the bone, trim the fatty bits off, and cut into bite size pieces. Set aside in small bowl. 
Step 2: Get out a largish cook pot and pour in the vegetable broth. Medium heat. Wash and cut your potatoes into bite size pieces. I found these “Celebration” potatoes — slightly larger than golf balls– didn’t bother to peel, just washed and quartered them. Add to broth. 
Step 3: Chop your onions and garlic and brown with some olive oil or butter. Add to potatoes. Next, brown your lamb or beef so its got a head start on cooking and had a chance to work in the onion and garlic. It doesn’t have to cook thoroughly, just give it a head start. Add to soup pot. Turn up the heat so it has a gentle bubble. If you are just using ham and kielbasa, skip the browning part. 
Step 4: Add the secret ingredient! I discovered this by accident, and it was a fantastic, serendipitous event. I told you, I don’t like mustard… but this is a very mild flavorful concoction with just the right horseradish element. If you can’t find Boar’s Head, you can use a similar mustard and add a dash of horseradish. I used two small spoonfuls.  Try one to start, taste it, add to your taste.
Step 4: Slice up the kielbasa into bite size pieces and add to the soup. Since it’s already cooked, you can add it at any time really. I added it about ten minutes before the potatoes were done to infuse the kielbasa flavor into the broth. 
Step 5: Set out your serving bowls. You will want to cube your cheese and set a handful of cubes in each bowl. Also add the hard-boiled egg slices and chopped chives.
Step 6: When potatoes are soft, you can ladle the soup over the cheese and eggs. Top with a few spoons of sour cream, garnish with extra chives.
Serve with warm bread and butter. Many recipes call for rye bread, I think sour dough is the way to go. 

Smacznego! (Enjoy your meal!)

 

A Room With A View (1985) From the Novel By E. M. Forster

This is one of those movies that I could watch again and again. 
  1. The cast is perfect-creating memorable characters that decades later I still chuckle over: 
  • Dame Maggie Smith as Charlotte Barlett the fastidious chaperone (Freddy: “Why is she so…[makes face] Charlotte Barlett?” Lucy: “That’s because she IS Charlotte Bartlett.”   
  • Simon Calow as the Reverend,  Mr. Beebe — can’t see him now without picturing him running naked around the swimming hole “Come! Have a bathe!”
  • Helena Bonham Carter as our heroine, Lucy Honeychurch–young, passionate, willful…resisting the bridle of British social constraints. 
  • Julian Sands as the free spirit George Emerson– I will always picture him up a tree yelling “Faith! Love! Beauty!” and Denholm Elliott’s character, Mr. Emerson explaining, “He’s shouting his creed.”
  • Denholm Elliott —  I can’t remember who said it now, I suspect it may have been Sir John Geilgud — something about there are three actors who will always upstage you: children, dogs, and Denholm Elliott… whoever said it, it’s so true. I adore Denholm Elliott in this movie — he conveys such feeling, such soul–expresses so much emotion through his buggy, teary eyes.
  •  And then there’s Daniel Day Lewis as Cecil Vyse, Lucy’s intended. Hilarious!!
  • Rupert Graves portrays Lucy’s breezy, happy-go-lucky brother… reminds me of my own brother, Iggy.
  • Dame Judi Dench is Eleanor Lavish  

If you like a”costume thang” that is, a period story, this one is a radiant gem. Lucy meets the Emersons while in Florence and is attracted to unpretentious and peculiar George, but back in England, she feels pulled towards a betrothal to Cecil who has firmer social standing.  But she and Cecil don’t have much in common (thank goodness) and he doesn’t appreciate her. He sees her as a beautiful wife, not a person with interests and passion. When George reappears in her life, the lies she tells to others and herself begin to unravel.  Does one follow ones head or ones heart? 

A delightful romp of a romance.  

 

To Have and Have Not (1944) Bogie and Bacall

No small wonder Humphrey Bogart fell in love with Lauren Bacall while making this movie… she smolders.  Intrigue, spy stuff, action, romance, this film is perfect and glossy. It features one of the most iconic scenes of its era: the “you do know how to whistle, don’t you?”   
I don’t think I’ve ever been that cool in my life… and she was only nineteen!
Cassablanca is a classic Humphrey Bogart picture and also a must-see… but while Cassablanca has the star-crossed lovers-who-must-part ending, To Have and Have Not is the opposite– soul mates who are meant to stay together. And while it’s a war time film, the drama is balanced with romance and a bit of comic relief with Walter Brennan as a sweet, drunk friend.
In 1001 Movies You Must See Before You Die, author Stephen Jay Schneider notes that the director wanted a true partnership between the two main characters– Slim is not going to slip into an apron, stay at home and bake pies while Harry goes out to fight the fascists and win the war; they will do it together. She is “as intrepid and daring” as her counterpart. Funny how women’s roles shifted so much between the 40s and the 50s…
Some interesting trivia about the movie can be found at the Internet Movie Database website that follows–for example, the movie notion launched because director Howard Hawks made a bet that he could make a great movie out of the worst Ernest Hemingway story! (I think he won the bet.)  Bogart said he fell in love with her portraying her character, Slim, who…more trivia… was based on Howard Hawks’ wife…see below–
More trivia:

http://www.imdb.com/title/tt0037382/trivia

Found a public domain photo of the real “Slim” with husband Howard Hawks and their dog:    Slim indeed!!! Is there a size smaller than zero? I think the dog has a bigger waist!

Don’t Bother to Knock (1952) : Marilyn Monroe Richard Widmark and Anne Bancroft

Fatal Attraction caused a sensation in 1987 with Glenn Close terrorizing Michael Douglas as an obsessed lover. I haven’t seen it since, but I do recall it was riveting. Glenn Close scared everyone and “fatal attraction” became a cliché.
It was a reboot of Play Misty for Me (1971) , one of Clint Eastwood’s directorial efforts. Watched it twice a long time ago… as I recall, overall, it had great tension, but dragged in places and the film was kind of grainy. It’s probably been cleaned up and re-released…I should try it again.
Not a big Marilyn fan, I stumbled on this recently. WOW! It holds up! Marilyn did a terrific job as a combination of vulnerable, unhinged, lost but dangerous woman.
The plot: she’s had a troubled past, and her cousin, an elevator operation in a hotel, gets her a job as a hotel babysitter. But while she’s babysitting, she meets a man just jilted by his girlfriend… the man reminds her of her dead boyfriend, and soon she believes he is her boyfriend, and will do anything to keep him.
To be honest, I’m not a Richard Widmark fan…not sure I buy the ending, but I loved Anne Bancroft! I’ve never smoked, but wow, she knows how to work a cigarette…I can see why they were so popular in the movies. 

 

Charade (1963)

charade ttitle

It’s hard to imagine this movie being successful with any other actors.  Audrey was 35 and Cary was 59… hard to imagine that she’d fall in love just like that…but he IS Cary Grant after all and  this movie is just fun. And so 60’s! : the cartooning in the opening credits, the music, her hairstyle and clothes (Givenchy designed Audrey Hepburn’s wardrobe–check it out).

The plot:  She went off on a ski holiday with a friend. While she was gone, someone threw her husband from a train. When she gets home, she finds he had sold everything in their house in Paris — and, ooh la la, what a house!  She has nothing. Along comes Cary Grant, a nice older gent who wants to take care of her. Soon, three men are after her, threatening her. She has something they want. What?

    charade back jacket   charade cover

White Palace (1990)

White Palace coverYou know, I first saw this movie when it came out, and I was young… saw it through the James Spader character’s perspective… now I’m older than Susan Sarandon was then, and it’s a little different. Ebert explained, it’s all about appropriateness. Do you follow your heart or succumb to social mores?  

Some really great lines for both characters… I won’t give too much away, but there’s wisdom about appropriate gifts.   

Roger Ebert gave this movie 3 1/2 out of 4 stars. WP face to face     WP face 2 face 2